A short story from the Classic Shorts collection: The Happy Failure by Herman Melville.
See also Etext #2489, Etext #15, and a computer-generated audio file, Etext #9147.
Omoo: A Narrative of Adventures in the South Seas is the second book by American writer Herman Melville, first published in London in 1847, and a sequel to his first South Sea narrative Typee, also based on the author's experiences in the South Pacific. After leaving the island of Nuku Hiva, the main character ships aboard a whaling vessel that makes its way to Tahiti, after which there is a mutiny and the majority of the crew are imprisoned on Tahiti.
From Wikipedia (CC BY-SA).
Typee: A Peep at Polynesian Life is the first book by American writer Herman Melville, published first in London, then New York, in 1846. Considered a classic in travel and adventure literature, the narrative is partly based on the author's actual experiences on the island Nuku Hiva in the South Pacific Marquesas Islands in 1842, liberally supplemented with imaginative reconstruction and adaptation of material from other books. The title is from the province Tai Pi Vai. Typee was Melville's most popular work during his lifetime; it made him notorious as the "man who lived among the cannibals".
From Wikipedia (CC BY-SA).
White-Jacket; or, The World in a Man-of-War is the fifth book by American writer Herman Melville, first published in London in 1850. The book is based on the author's fourteen months service in the United States Navy, aboard the frigate USS "Neversink" (actually the USS United States).
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Melville's first novel was based on his experiences in French Polynesia. Tommo and Toby, tired of an abusive life on the whaling ship, decide to hide on an island. They soon discover the Typees, who bring them into their village with kindness, despite being cannibals. Contrasting the idyllic life of the natives with the corrupting influence of civilization, Typee gives early evidence of Melville's genius.
Set on a Mississippi steamer on April Fool's Day and populated by a series of shape-shifting con men, The Confidence-Man is a challenging metaphysical and ethical exploration of antebellum American society.
